Carolee Schneemann Movies

When Annie Sprinkle has an orgasm with her lover in the hot tub, she reflects upon the incredibly diverse aspects of the orgasm experience. She then...

Produced over several years between 1962 and 1967, Grimaces shows the faces of over a hundred artists, gallery owners and critics grimacing to the...

Home movies shot on Super 8mm by W+B Hein over 10 years.

A comprehensive documentation of new art movements from 1945 to the present day. Beginning with the "Internationale Situationniste," "Cobra," "Spur,"...

An experimental short in which a couple engaged in lovemaking is superimposed over ocean and beach scenes.

Viet Flakes was composed from an obsessive collection of Vietnam atrocity images, compiled over five years, from foreign magazines and newspapers....

Body Collage is a visceral "movement-event" from 1967, in which Schneemann paints her body with wallpaper paste and molasses, and then runs, leaps,...

"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent...

RED NEWS (1962-67) considers the interplay between media, entertainment, and violence. "I also had Red News simultaneously, that magical little...

The tradition of modernism and neo-avant-garde are faced in the project, in which Radziszewski is confronting both – Polish and Western –...

Through intimate interviews, provocative art, and rare, historical film and video footage, this feature documentary reveals how art addressing...

Performance by Robert Morris and Carolee Schneemann.

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996....

Vulvic puns, jokes and ruminations on the meanings of menstrual blood activate a range of taboos surrounding cultural notions of the feminine as a...

This film consists entirely of close ups of famous persons' bottoms. Ono meant it to encourage a dialogue for world peace.

An unfulfilled man renders himself to the unrealized sensuality of four women. In his drifting search, he fails and fades in the same loneliness as...

The dissolution of a relationship unravels through visual and aural equivalences. Schneemann splits and recomposes actions of the lovers in a...

Devour is a dual-channel version of the artist's multi-channel video projection installation of the same name. Schneemann notes that this work brings...

Catscan is a group performance within a chaotic density of projected images and office furniture, motivated by Egyptian funerary rituals of mourning,...

This is a newly restored version of documentation of the 1967 group performance Snows, which was built out of Schneemann's outrage and sorrows over...